AP ENGLISH 
LANGUAGE & COMPOSITION 

On line for the 2011-2012 School Year

We have four sections, a new one taught by Lilianna Serbicki, a section taught by Kathryn Walker, a section taught by Molly (Maya) Richman Inspektor, and one taught by Debra Bell.

Section 1

Instructor: Lilianna Serbicki (LSerbickiAP@gmail.com)

Course fee: $550 if payment is received by July 1st; $575 if payment is received afterwards.

This course is open to 10th, 11th and 12th graders.

Required texts:

NONFICTION:

-Speech in the Virginia Convention by Patrick Henry

-One Hundred Great Essays (edited by Robert DiYanni)

-A Modest Proposal by Jonathan Swift (can be found online)
-The Abolition of Man by C.S. Lewis (any edition)
-Memoirs of the Second World War by Winston Churchill


DRAMA:

-Julius Caesar by William Shakespeare (any edition or online)

-Lady Windermere's Fan by Oscar Wilde (any edition or online)

FICTION:
-
Animal Farm by George Orwell

SHORT FICTION (any edition, all are found online as well):

-Revelation and Everything That Rises Must Converge by Flannery O'Connor
-The Hunger Artist by Franz Kafka

-Harrison Bergeron by Kurt Vonnegut

-The Ones Who Walk Away From Omelas by Ursula K. LeGuin
-Repent, Harlequin! Said the Tick Tock Man by Harlan Ellison


REFERENCE/
STYLE:
-CliffsAPEnglish Language and Composition prep guide, 3rd ed, by Barbara Swovelin
-The Elements of Style by Strunk and White

Suggested Text:

- Reading Like A Writer by Francine Prose

 

Tech needs: Students must have full web and printer access, Microsoft Office (or equivalent word processing capabilities), and be able to read PDFs.

Length of course: Monday, August 29, 2011 to Friday, May 18, 2012.

Hours of study each week: 8-12 hours, depending on the week and the amount of bonus material the student chooses to cover.

Course description: This course is designed for the proactive student with a love of reading and composition. It will focus on class interactivity and analysis through discussion as well as individual writing.

The three main goals of this course build upon each other:

1.                  To recognize and understand both basic and complex elements of language and composition. These include elements such as irony,  paralellism, symbolism, etc.

2.                  To analyze WHY those elements are used and HOW they are used most effectively to express, debate, and explore ideas.

3.                  To create effective examples of these elements in our own writing.

This course seeks to achieve these goals through a study of both fiction and nonfiction. While non-fiction lends itself to concise rhetoric, fiction is often one of the most effective ways to express a concept or present an argument. For that reason, I am including a wide selection of both classic and speculative fiction.

 

This class is designed to be rigorous and exciting academically, while still flexible. Weekly assignments will include:

-Short essays and multiple choice quizzes in preparation for the AP exam in May.

-Reading assignments ranging from 30-80 pages.
-Optional bonus assignments

-Longer writing assignments including:

  1. Researched argument papers
  2. Dialogues/dramatic pieces
  3. Creative nonfiction

       4.    Short fiction (may be exchanged for a creative nonfiction assignment on an individual basis)

Instructor Qualifications:

I am a 2009 graduate (Magna Cum Laude) of Franciscan University of Steubenville with a BA in Communication Arts and a Minor in Philosophy. My last two years of school, I served as the Editor-in-Chief of Lumen Vincens student literary magazine. I'm currently the Web/Sales Coordinator at WTOV9 News in Steubenville, OH, where my work includes managing web traffic, designing and writing copy for web ads and creating effective, memorable commercial scripts. I have experience in writing, editing, and proofreading both fiction and nonfiction, including creative fiction, non-fiction articles, commercial scripts, and ad copy.  My other current creative projects include managing an online writing forum and editing a collection of short stories in preparation for seeking publication. Beginning this fall, I will be teaching full-time and working on freelance writing projects.

Section 2 (section full)

Instructor: Kathryn L. Walker

 

Tuition: $550 early bird/$575 after July 1

 

Course Overview: This is a college-level course in which students will prepare for the Advanced Placement Language and Composition exam by engaging in critical reading, writing, and discussion.  The stated purpose of the course is to “emphasize the expository, analytical, and argumentative writing that forms the basis of academic and professional communication.”  Students will learn to read texts closely to determine the author’s purpose and means of conveying his message.  Students will also engage in analysis of film, art, and audio recordings to better understand communication and texts.  Students will develop skills in narrating, analyzing, and arguing through examining texts from various time periods and genres and through writing formal and informal responses to them in various modes. Timed essays and practice tests will help prepare students for the exam.

 

Course Units and Texts

 

Unit I: Narration/Description

Students will examine the tools of narration and description, including repetition, chiasmus, antithesis, hyperbole, metonymy, irony, etc. Narrative works will range from Beowulf to Bill Cosby’s contemporary comedy. Students will discuss what makes a good narrative, analyze and write in response to narrative works, and create their own narrative work in the form of a Chaucerian-style retelling. Readings will also include an emphasis on descriptive writing, including traits such as detail, color, and point of view.

Beowulf (text and/or audio recording read by Seamus Heaney, translator)

Canterbury Tales (selected): “The Clerk’s Tale”

To Russell, My Brother, Whom I have Slept With by Bill Cosby (voice recording)

Cry, the Beloved Country by Alan Patton

“A Libido for the Ugly” by H. L. Mencken

“The Haunted Mind” by Nathaniel Hawthorne

“The Ring of Time” by E. B. White

“Portrait of a Londoner” by Virginia Woolf

Unit II: The Argument

Students will study logical syllogisms and fallacies through A Rulebook for Arguments to help them craft meaningful arguments. Students will argue through a variety of modes: satires, letters to the editor, persuasive essays, and argument refutations. Students will craft an argumentative research essay giving their perspective on the purpose education ought to serve, analyzing Newman and Dickens as they do so.  Topics for argumentation will also include current events.

A Rulebook for Arguments (4th edition) by Anthony Weston

Selections from The Idea of a University by John Henry Newman

Hard Times by Charles Dickens

The Importance of Being Earnest by Oscar Wilde

A Modest Proposal by Jonathan Swift

“The Case for Torture” by Michael Levin

“History for Dollars” by David Brooks

Unit III: Writing, Speaking, and Consciousness

Students will examine the relationship of human consciousness to language, writing, and reading through the works of Orwell, Joyce, Wolfe, and T.S. Eliot. Through studying the role of the writer’s voice to persuade, engage, and argue, they will work to use language carefully to create the effect they want their readers to experience.  They will study a variety of notable speeches, from various eras and countries, and determine how the speechwriters worked upon human language and consciousness. Students will compare modern art with stream of consciousness writing to identify similar mental processes the two attempt to convey. Students will craft a written speech of their own to demonstrate their rhetorical abilities.

“Politics and the English Language” by George Orwell

Portrait of the Artist as a Young Man by James Joyce

 “The Love Song of J. Alfred Prufrock” by T.S. Elliot

“The Legacy” by Virginia Woolf

Araby” by James Joyce

“I Have a Dream” by Martin Luther King

“Sinners in the Hands of an Angry God” by Jonathan Edwards

“The Gettysburg Address” by Abraham Lincoln

“Votes for Women” by Mark Twain

“The Apology of Socrates” by Plato

 

Technical Details:

·        Course assignments and interaction take place through a website specific to this course.

·        Students interact through discussion boards and peer reviews.

·        I post video mini-lectures about the topics we’re studying during many of the weeks, as well as links to articles and documents with helpful information. 

·        I post the next two complete weeks’ worth of assignments at any given time, so students have a clear idea of what work to anticipate, and they can schedule it around their other classes and activities.

·        I return graded work promptly with thorough comments using the Comment function in Word.

·        Students work with their peers and instructor to revise their work in stages through topic proposals, outlines, drafts, and peer reviews.

·        Students learn and apply the principles of Modern Language Association (MLA) citations.

·        Strunk and White’s The Elements of Style serves as our text for the technicalities of strong writing, such as focusing word usage and sentence structure, crafting the thesis statement, and developing adroit transitions.

·        I post grades weekly to a Google doc spreadsheet (students’ identities are concealed through secret numbers) that parents and students have constant access to.

·        I send progress reports each trimester with specific grades and comments for each student.

 

Workload: Weekly coursework generally includes about 100 pages of fiction reading or shorter selections from non-fiction works, a 1-3 page essay or work on a larger essay, participation on the class discussion board, occasional quizzes, video mini-lectures to watch, and short information readings.

 

Student Qualifications: Open to students in 10th-12th grade.  Students should be competent readers and writers, but don’t let the reading list scare you; we will work together through the difficult texts. Students need Microsoft Word and Internet access.

 

Class Schedule: September 8, 2011 through the AP exam in May of 2012.

 

Instructor Qualifications: A graduate of PHAA, I hold a B.A in English from Hillsdale College, a M.Ed from Eastern University, and PA Teaching Certification for English 7-12. After teaching English for several years at Valley Forge Military Academy, I now live in Lancaster, PA and work as a consultant, evaluator, and online tutor in order to stay home with my children.  I have published work in First Things, Touchstone Magazine, Independent Teacher Magazine, and Veritas Press’s Omnibus curriculum. I would be happy to discuss any questions about this course. Please feel free to contact me at kathrynlynnwalker@gmail.com

 

Instructor Availability: I work in close contact with students and am engaged with them significantly through discussion boards, written comments on their essays, and email conversations. I’m also available through phone and Skype to provide any support or guidance students need. I maintain regular communication with parents through email updates.

 

Click here to read class reviews from participants in Mrs. Walker’s section of this class 

Click here to download an application for Mrs. Walker’s AP Language class

 

Click here to read testimonials about Mrs. Walker’s AP Language class

 


Section 3 (section full)

Instructor: Maya Inspektor (minspektor AT pahomeschoolers D0t com)

Course fee: $550 if payment is received by June 1st; $575 if payment is received afterwards.

Note: this course is open to 10th, 11th and 12th graders. I occasionally admit 9th graders who present exceptional credentials.

Required texts:

·         The Writer's Presence: A Pool of Readings, 5th Edition; McQuade, Donald and Atwan, Robert (Bedford/St. Martin). It's important that you get this edition so that readings and page numbers match up, as the 6th edition has already been released. I'm continuing to require the 5th edition in part because used copies are usually available for very little. Check Amazon.com for inexpensive copies, and let me know if you have any trouble obtaining this anthology.

·         CliffsAP English Language and Composition prep guide, 3rd ed, by Barbara Swovelin

·         The Elements of Style, by Strunk and White (This is the summer reading assignment. Any edition is acceptable, but be sure you buy a version by Strunk and White rather than one only by Strunk.)

·         The Story of My Life, by Helen Keller (any edition, even a free e-text.)

·         Hunger of Memory, by Richard Rodriguez (any edition)

·         Walden, by Henry David Thoreau (any edition, even a free e-text.)

Suggested Text:

·         Grammar Smart: A Guide to Perfect usage http://pahomeschoolers.c2.ixwebhosting.com/catalog/product_info.php?cPath=32&products_id=48 (While I will not assign work from this text, I strongly recommend it to students who need to brush up on the finer points of grammatical writing. It's excellent preparation for the writing section of the SAT.)

Registration deadline: Applications will be accepted through August 1st, though the class may fill up sooner.

Tech needs: Students must have full web and printer access (broadband Internet recommended but not required), and they must be able to view PDF files.

Length of course: Monday, August 19, 2011 to Friday, May 18, 2012, including a fall break, a winter break, and a spring break.

Hours of study each week: Approximately 10-12 hours. (We don't meet at set class times; rather, you will have assignments due by midnight Eastern Standard Time on most days of the school week. I will also post an instructional message every weekday morning by 8 AM EST; usually this message involves a student response. I do accommodate student travel plans and special events.)

Who should apply: Students with a love for words, argumentation, and reading who would like to invest time and energy into exploring language more deeply. As this is a beginning college-level writing course, students should come in with the ability to write with few grammar errors. They do not need extensive experience with formal literary analysis or essay writing.

Course description: This highly interactive course is designed to prepare students for the AP English Language and Composition exam in May. Students will learn to understand complicated texts and write with complexity, clarity and polish. Essentially, the goal of an AP English Language and Composition course is for students to develop maturity, both as readers and writers. To reach this goal, this course will involve extensive reading, writing, and online discussion.

Reading and writing nonfiction lies at the heart of the AP English Language and Composition exam. Students should anticipate reading 30-50 pages (mostly engaging nonfiction essays) and writing one essay (or the equivalent) weekly. I think students will be happily surprised to discover just how engaging nonfiction writing can be, from Helen Keller's dramatic autobiography about emerging from a silent, dark world to Sherman Alexie's humorous account of how Superman helped him learn to read. We will also study image as text, critiquing Pulitzer Prize-winning cartoons and photographs. Students will track down logical fallacies in politicians' speeches (not too hard of an assignment, I'm afraid!) and read satire from Jonathan Swift and Langston Hughes. Nonfiction readings prepare students for readings in every discipline of college study, but that doesn't mean they need to be dry! In addition, students will choose novels, plays, and nonfiction works to study either independently or in interactive book clubs with their classmates throughout the year.

Course writing will vary greatly. During the year, students will compose journal entries, discussion question responses, argumentative papers and analytic essays. They will also write several personal creative narratives. They will write a challenging researched argument paper that they can submit as an entry to a scholarship competition. Throughout the year, I will emphasize the writing process, as students move from prewriting to drafting and revisions with the help of extensive critique from both their classmates and from me.

Finally, let's not forget one of our ultimate focuses: throughout the year, but particularly at the end, students will engage in guided test preparation for the AP English Language and Composition exam.

Our readings will center around three driving questions:

1.      How does language and literacy change who we are? For example, how did learning the word for “water” change Helen Keller's experience of water? How did the acquisition of English change Richard Rodriguez's identity?

2.      What does it mean to get an education? Why does Richard Rodriguez try so hard to be the Scholarship boy? What struck Joyce Carol Oates about her childhood school? What are arguments for (and against) homeschooling?

3.      How can we use words to change the world? How do we critically examine the words used by politicians? How to writers craft arguments? What is Henry David Thoreau trying to accomplish in his story of retreat from society?

I have been very proud by my students' performance in the past. For the past few years, not have more than two thirds of my students earned scores of 4 or 5 on the exam at the end of the year (with 5 as the most common grade), but altogether my students have won $9000 in college scholarships for the Peace Essay Contest entries they completed as part of the class. I look forward to even better results in the future!

Instructor Qualifications: This is my fourth year teaching online AP English Language, and I feel I grow into a better teacher every year. I graduated summa cum laude from the University of Pittsburgh in 2004, majoring in English nonfiction writing and Psychology. I obtained a Masters of Education in Secondary English from Carlow University, studying homeschooling English programs for my master's thesis. I taught at a private school in Pittsburgh for the past two years and had a wonderful time teaching this online course (as well as online AP English Literature) during the past two school years. In addition, I taught creative writing classes at the School of Advanced Jewish Studies in Pittsburgh and served as an SAT tutor for a major test preparation company. I have always loved writing nonfiction and once served as memoir editor of the University of Pittsburgh's undergraduate nonfiction magazine, Collision.  Now that I've moved to Israel, I can literally grade while you sleep, because I'm seven hours ahead of you. As a past participant in many online AP courses, I'm thrilled to have returned as a teacher!

Details: I am happy to respond to any and all questions about the class. My e-mail is minspektor AT pahomeschoolers DOT com. (Note: my spam filter occasionally diverts e-mails from certain addresses coming to this account. If you don't hear back from me within a few days, please try sending a message to yiyehtov AT gmail DOTcom or contact me via PA Homeschoolers.)

Click here to class reviews from participants in Mrs. Inspektor's section of the class.

Click here to download an application for Mrs. Inspektor's AP Language class (WORD document).


Section 4 (section full)

 

Instructor: Debra Bell (debrabell2000@yahoo.com). To Apply: request an application from the instructor.

Teaching Assistant: To Be Announced, but I will have a college-level former student who has nailed this exam assist me.

Tuition: $550 early bird special

Important Details

  • Weekly assignments and class notes posted by Monday morning. Assignments are not considered “late” if received before the following Monday morning. Technically, I’d like them in on Fridays.
  • 34 weeks. Course begins week of August 29, 2011
  • To apply, request a student application from the instructor

Technical Requirements: Students need a Google Account.  I use Google Sites and other Google applications. Students also need to be able to send and receive attachments. Most course documents are PDF files.

NEW!  Web-ex Live Video Lectures and Discussions:  Thursdays 2-3 PM EST  (once or twice a month).  Attending the lectures and discussions is optional.  However, these are recorded and students are encouraged to watch them at their convenience.  I beta tested this technology this past year ( 2010-2011) and it significantly improved student understanding, helped establish rapport, and was very well received. Web-ex allows me to share my desktop so I can show PowerPoint, video clips, or mark-up actual AP exam material so students can see important features of the literature we are discussing.  It also allows me to hold one-on-one tutorials with students while we are both looking at student work. Web-ex provides live support 24/7 so any student who has technical difficulty during a presentation can get immediate help.

Here are details about Web-ex.  All students in both classes this past year had no difficulty using this technology, even students overseas.  It is the industry standard in web-conferencing and used widely by businesses worldwide.

  1. Click here for System Requirements
  2. If all is well, click here and run a test:  http://www.webex.com/lp/jointest/
  3. If you are unable to join or having difficulty running the test, please contact WebEx Support at 866.229.3239 Option 1 or visit support.webex.com for helpful support information.

Course Description

The main reason I’m developing the course is to give students an opportunity to grow as critical thinkers and effective writers of reflection and argument. (See: Stephen Toulmin’s The Uses of Argument as one approach of interest).

Here is a bit of an overview of what we will be doing:

·  Students will learn to recognize and use a wide range of rhetorical strategies in their writing.

·  Students will write reflective and argument essays.

·  Students will make several arguments using new media and post these online (e.g. videos, photo essays, posters).

·  Students will organize into collaborative groups in order to read, write and discuss/debate topics of interest. Each year what we read, write about and discuss comes from what is in the news and what the current class of students is interested in talking about. It’s very lively, organic and fun.

Course Objectives:

·  To prepare students to succeed on the AP English Language and Composition exam.

·  To help students write with elegance, perception and persuasion about life and culture.

·  To help students recognize the rhetorical and linguistic choices writers make when composing non-fiction for narrative, expository or argumentation purposes

·  To prepare college-bound students to confront divergent opinions on campus; and to make their own contribution to the broader culture through writing that is winsome and well-reasoned. 

One Important Note:  

As you might infer from the reading list, this course will take a look, in part, at the Christian faith as an idea worth defending; students of other persuasions are more than welcomed to participate; all perspectives will be respected. Students should be willing to look at current cultural issues from a number of viewpoints and courteously but unflinchingly evaluate the strengths and weaknesses of those views.

Required Texts

Everything's An Argument with Readings, 5th edition, Lunsford, Ruszkiewcz & Walters.  ISBN: 0312538618

The Reason for God by Tim Keller

Blue Like Jazz by Don Miller

( I provide the other essays.)

Ideal Students

·  10th grade at least and 15 years old. The content of this course requires emotional maturity and consideration. We write about and respond to what others have said on a wide array of subjects where a range of opinions exist.

·  Committed to collaborating with others weekly. I do accept a few students whose schedules do not permit them to be a part of weekly collaboration.  Please discuss this with me when you apply.

Instructor’s Qualifications

M.A. in English, B.S. in communications education. Currently, I am in the dissertation phase of a PhD in educational psychology through Temple University. Thirty years of teaching experience in literature and composition. Professional writer, currently writing for Apologia Educational Ministries. Home-educator 1988-2006.

 

Click here to class reviews from participants in Mrs. Bell’s section of the class.

 


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